By Tony Gutiérre
OKLAHOMA CITY (OSV News) – “He didn’t go back to Guatemala to die. He went back to Guatemala to live.”
Msgr. Don Wolf, rector of the Blessed Stanley Rother Shrine and a cousin of Blessed Rother, shared these words in a documentary “American Martyr: The Stanley Rother Story.”

This scene still makes Archbishop Paul S. Coakley of Oklahoma City choke up every time he sees it.

“He knew that death awaited him, but he knew that not going back would mean a different kind of death, and only by going back there would he live life to the full, the life that the Lord had called him to, even though that meant laying down his life,” Archbishop Coakley said during a panel discussion. It followed the documentary’s world premiere at the Regal Warren Moore Theater in Moore, Oklahoma, a suburb of Oklahoma City, on July 28, the feast day of Blessed Stanley Rother.

More than 600 people filled three theaters to watch the documentary – one for the English version narrated by award-winning actor Martin Sheen, and two for the Spanish version.

Sheen narrated the documentary for free, said Maria Scaperlanda, one of the executive producers of the documentary and promoter for the cause. Sheen “fell in love with Father Stan,” she told OSV News.

“I want to help you get Blessed Stanley across the line, have him become a saint. And this is my way of helping,” she recalled Sheen – himself a devout Catholic – telling her.

“American Martyr: The Stanley Rother Story” will be released in theaters nationwide Aug. 25-27.

Archbishop Coakley told OSV News that he hopes by spreading the word about Blessed Rother, more people will turn to him in prayer.

“The Church needs saints, and we have a Catholic priest missionary martyr who’s on the threshold of being declared a saint. But in order for people to have the confidence to turn to him – to seek his intercession – they have to know his story,” he said. “My primary interest and concern is to introduce people to the life of this heroic missionary priest, so that they might imitate his faith in turning to the Lord in seeking what they need.”

Bishop Edward J. Burns of Dallas hadn’t planned on attending the premiere a month ago. Archbishop Coakley’s classmate from Mount St. Mary’s Seminary in Emmitsburg, Maryland, the same seminary Blessed Rother graduated from, Bishop Burns told the archbishop he planned to visit the shrine on July 28, not knowing it was Blessed Rother’s feast day. The archbishop, in turn, invited him to concelebrate the Mass at the shrine that day.

“Then, I later learned that there was the premiere of this wonderful documentary. I said, ‘Wow, what a coincidence,’ but in actuality, it’s just a little gift from Blessed Stanley Rother,” Bishop Burns told OSV News.

Like Archbishop Coakley, Bishop Burns was completing his final year at Mount St. Mary’s when the students learned of their alumnus’ martyrdom. As a leader of the student body, he took the responsibility of welcoming Blessed Rother’s parents and sister, Sister Marita Rother, an Adorer of the Blood of Christ, to the campus.

“In those moments, for me to sit and speak to the parents of a martyr moved me in such a powerful way, to speak to a mom of a martyr and the anguish that she went through, it touched my heart,” Bishop Burns recalled.

“The opportunity to grow closer to Christ is exactly what Stanley did. You look at his life on the farm, through school, in the seminary, and then into his priesthood. He just grew closer and closer to our Lord Jesus Christ. And that same Lord … is the one who welcomed him into the community of saints, angels and martyrs,” he said.

Among the attendees at the premiere were 27 members of Blessed Rother’s family who were recognized during the panel.
“It’s very stirring to see his family with both simple memory of just a man but with deep devotion that now their brother is beatified because he’s martyred,” said the Rev. Nathan Carr, vicar of St. John’s Episcopal Church in Oklahoma City.

Rev. Carr, who also serves as the headmaster of the Academy of Classical Christian Studies – with a 17% Catholic enrollment – said his school’s Schola Cantorum choir has led music at the shrine every year since its opening. He said Blessed Rother provides inspiration and plans to encourage his parishioners to see the documentary.

“Out of God’s perfect grace, we are given an exemplar of the holy life, the life of virtue, and the life of holiness, a life being poured out for others,” Rev. Carr said.

For Blessed Rother to be canonized, there must be a verified miracle attributed to his intercession before God.

The Rome-based postulator for Rother’s cause, Cristiana Marinelli, said that while she can’t provide details, there are active investigations.

“I can say that what I experienced today is that the devotion, the veneration, is still alive, is still growing. And this is something that’s very important, because only through prayer will we be able to get a sign of God,” she said.

Marinelli, who has served as postulator for three years, said she views her work as a vocation.

“Having the possibility to study the life of this candidate has given me the opportunity also to not only to increase my intellectual, professional knowledge but also my spiritual life,” she said.

Deacon Jan Latta from St. Eugene Parish in Oklahoma City and his wife, were excited to see the 2017 beatification Mass featured in the film, because they had volunteered as ushers before he entered deacon formation. Deacon Latta said he found inspiration from the fact that Blessed Rother had initially failed his courses in a Texas seminary, Latin in particular, and transferred to the Emmitsburg seminary.

“I grew up on a farm in Iowa, and I’m not that intellectual. I had trouble in deacon formation with some of the classes,” reflected Deacon Latta. “If somebody tells you you’re not … smart enough to be a priest, he didn’t settle for that, and he followed his heart, and he was able to become a priest and go to Guatemala, and he followed his heart down there.”

During the panel discussion, Archbishop Coakley said that the message Blessed Rother offers is that there’s “nothing really extraordinary about him at all. He was just an ordinary guy … a farmer who became a priest, who became a missionary, who became a martyr, who has become a saint. God calls us all to holiness, and he calls us right where we are.”

He said he hopes the documentary will inspire people to live a life of holiness and to share their gifts in a way that they, too, can become everyday saints.

“We don’t have to go out of our way looking for it. We don’t have to travel across the world. It’s right here at home. It’s in our homes, in our families, in our parishes, in our places of work. That’s where we’re called to flourish and to become saints,” he said.

(Tony Gutiérrez writes for OSV News from Texas.)

Spider-Man: Brand New Day

By John Mulderig

“Spider-Man: Brand New Day” (Sony)

Peter Parker and his titular alter ego (Tom Holland) face challenges both emotional and physical in this engaging extension of the long-lived franchise. Forced by circumstances to cause everyone around him to forget that they ever knew him, he lives in lonely isolation from his true love (Zendaya) and his best friend (Jacob Batalon). He also begins to experience mysterious medical problems related to his hybrid nature as part human, part arachnid. These come at a bad time since, having brought down a host of ordinary criminals, he faces an unknown opponent who has the ability to inhabit other people’s bodies. Predictably slick action set pieces are paced by poignant moments in director Destin Daniel Cretton’s Marvel Comics-based adventure which carries lessons about the importance of empathy and the futility of vengeance. Those positive values are somewhat offset by an excess of vulgar dialogue, especially from the mouth of an off-and-on ally (Jon Bernthal) the protagonist must rely on in his struggles, making the film questionable fare even for older teens. Much stylized violence with little gore, several instances each of profanity and milder swearing, brief sexual humor, considerable crude talk, a couple of crass terms.

Classification “Spider-Man: Brand New Day” (Sony) – OSV News classification, A-III – adults. Motion Picture Association rating, PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13.

The Odyssey

“The Odyssey” (Universal)

As written and directed by Christopher Nolan, this lavish, absorbing adaptation of Homer’s epic poem blends spectacle with thematic substance. With his army and the forces of his Greek allies having triumphed over their Trojan foes, King Odysseus (Matt Damon) of Ithaca sets out for his homeland. But his ships lose their way and he and his men are delayed by a series of challenging, and costly, misadventures. In spite of his decades-long absence, Odysseus’ queen (Anne Hathaway) remains faithful to him and despises the unwanted attention of the suitors (the most prominent played by Robert Pattinson) who have besieged her court. Though equally steadfast in his devotion to his father, Odysseus’ young son and heir (Tom Holland) grows impatient and steals away to gain information about the great warrior’s fate. Viewers formed by Judeo-Christian beliefs may find themselves somewhat adrift in a milieu in which the capricious, and often malevolent, gods of the ancient world hold sway. Yet they will easily identify with the screenplay’s emphasis on hospitality, especially as extended to those in need, its affirmation of a pagan version of the golden rule as well as its questioning of what constitutes a just war. Given this classic tale’s educational value, the film is probably acceptable for older teens. Much harsh but mostly bloodless violence, multiple disturbing images, a glimpse of rear nudity in a nonsexual context, a scene of marital sensuality, a couple of instances each of mild swearing and rough language, at least one crude term, about a half-dozen crass expressions.

Classification “The Odyssey” (Universal) – OSV News classification, A-III – adults. Motion Picture Association rating, R – restricted. Under 17 requires accompanying parent or adult guardian.

One Night Only

“One Night Only” (Universal)

A frenzied search for sex occupies most of the running time of this comedy from director Will Gluck. The intensity of the quest is due to the fact that the U.S. government has outlawed nonmarital encounters for all but one night of the year. Amid the furor, two New York City romantics (Callum Turner and Monica Barbaro) yearn for something deeper. Both, however, are willing to settle for what they can get. Fate keeps throwing them together after a chance meeting but competition for the last condom in town, among other factors, temporarily sours them on each other. Although the principal pair are appealing in some ways, they are not above such actions as petty theft and, while the wrap-up sends a message about the value of commitment, Travis Braun’s script has by then spent too much time smirking at the animalistic nature of human mating for this last-minute switch in tone to be effective. Skewed values, pervasive sexual humor, including frequent nonmarital sensuality, rear male nudity, off-screen premarital activity, same-sex kissing, about a half-dozen profanities, several milder oaths, much rough and some crude language, an obscene image.

Classification “One Night Only” (Universal) – OSV News classification, O – morally offensive. Motion Picture Association rating, R – restricted. Under 17 requires accompanying parent or adult guardian.

(John Mulderig is media reviewer for OSV News. Follow him on X @JohnMulderig1.)